Showing posts with label Alex Bryce. Show all posts
Showing posts with label Alex Bryce. Show all posts

From Animation to Live-Action



The British government, in an attempt to revive its own film industry after the war, had imposed a 75% import tax on American films shown in Britain and ordered that 45 % of the films shown in British theaters be made in England. (A similar restriction had been agreed in France). This was a terrible blow to the Disney studio and to make matters worse, the French and British governments had both impounded receipts earned by American studios in those countries, insisting that the currency be spent there. For the Disney studio, this amounted to more than $1 million. Obviously Walt couldn't set up an animation studio in England or France, but he had another option. He could make a live-action film in England and finance it with the blocked funds. In effect, then, when Walt Disney finally crossed over into live-action, it was because the British government had forced him to do so.

Producer Perce Pearce with art director Carman Dillon 
and director Alex Bryce on the 'Robin Hood' set.


The project Walt selected for his live- action feature was Robert Louis Stevenson’s Treasure Island and he dispatched Perce Pearce and Fred Leahy to England to supervise the production. But he remained unusually involved in the post production  at least compared to the offhanded way he had been treating recent films. He had asked Pearce and Leahy to air-mail him specific takes for editing, and after a test screening in early January, he ordered them to cut ten to twelve minutes and provide a more forceful musical score; he also advised them that a more detailed criticism would follow. Two day later he ordered the editor to fly from England to Los Angeles, apparently so that Walt could oversee the editing himself.

The finished film, Walt Disney’s first all live-action feature, was both a critical and financial success- unbelievably the first in a long, long time. Treasure Island (1950) grossed $4 million, returning to the studio a profit of between $2.2 and $2.4 million. With the euphoria of this success was the worry that the animation side of the studio was dying. But Walt reassured those that had raised concerns, (including Douglas Fairbanks Jnr.) “We are not forsaking the cartoon field-it is purely a move of economy-again converting pounds into dollars to enable us to make cartoons here.” So in a strange turn, Disney had to make live-action films now to save his animation.

Richard Todd as Robin Hood

In July 1951, just as his cartoon version of Alice in Wonderland was released in America, Walt Disney visited Europe with his wife Lillian and his daughters to supervise his second live-action movie. The Story of Robin Hood and his Merrie Men (1952) was financed again by the blocked monies of RKO and Disney. Before leaving, Walt had screened films at the studio, looking at prospective actors and directors and making what he himself called ‘merely suggestions’, while he left the final decisions to Perce Pearce, who was producing. For his part, Pearce had laid out every shot in the movie in thumbnail sketches, or storyboards, just as the studio had done with the animators, and sent them on along with photostats and the final script to Walt for his approval, which Walt freely gave, though not without a veiled threat that Pearce had better make the film as quickly as possible. “This is important not only to the organization but to you as the producer,” he wrote.

Walt Disney using the Storyboard


The use of storyboards was new to ‘Robin Hood’ director Ken Annakin, “but it appealed to my logical brain very, very much,” he said later, and prompted ingenious scenes such as the first meeting between Prince John and the Sheriff of Nottingham after King Richard has left, played on the balcony of the castle against a brilliant but ominous orange sky at sundown. “I had never experienced sketch artists, and sketching a whole picture out,” Annakin said. “That picture was sketched out, and approved by him—but it was designed in England, and sketches were sent back to America.” For all his influence and control, Walt was not an overbearing studio head in Annakin’s view. “Basically, he visited the set maybe half a dozen times, stayed probably two or three hours while we were shooting.”

Though Walt delegated a good deal of authority on these films, he nevertheless took his approval of the storyboards seriously. When he noticed that one sequence wasn't shot exactly as agreed, he questioned Ken Annakin as to why. Annakin replied that he was going over budget and wanted to economize. “Have I ever queried the budget?” Walt asked. “Have I ever asked you to cut? Let’s keep to what we agreed.” In the end, Annakin never wavered from his understanding that the film he was making was, even with his own directorial expertise and perspective, and an insistence on a more authentic telling of the Robin Hood story, a Walt Disney production.

Director Ken Annakin

Meanwhile as Robin Hood was being filmed, Walt, Lillian and his daughters wandered through Europe, visiting the Tivoli Gardens in Denmark, and did not return to the studio until August.

While making those live action movies in England (which also included Sword and the Rose (1953) and Rob Roy the Highland Rogue (1954)), “Walt achieved something that I’m not sure he actually knew he was going to achieve”, suggests Disney authority Brian Sibley,  “which was that he placed himself as being not just an American filmmaker, but also a European filmmaker—or specifically a British filmmaker. We thought of him as making films not just about us, but making them here as well. I think that that gave Britain a kind of ‘ownership’ to Walt Disney, and that only came about in the ‘50s.”







Inside the Dream: The Personal Story of Walt Disney by Katherine & Richard Greene (2001)

Walt Disney: The Biography by Neal Gabler (2007)
So You Wanna Be A Director by Ken Annakin (2001) 


Elspeth's Memories of Robin Hood

Elspeth with Richard Todd

I was thrilled last week to finally get the chance to talk with Elspeth Gill, daughter of Alex Bryce the second unit director on Walt Disney’s Story of Robin Hood and his Merrie Men (1952). Elspeth is a charming lady and we had quite a chat about those golden days. It was Neil who initially made contact with her last year and she shared with him some wonderful photographs taken behind the scenes, which can be seen here.

Alex Bryce second unit director with Richard Todd

At the age of sixteen, Elspeth had the enviable experience of watching the filming of Robin Hood at not only Burnham Beeches but also the huge sound stages at Denham Studios. During that period she was living in a house approximately four miles from the legendary studios. When Elspeth entered a fancy dress costume at that time, she was lucky enough to be allowed to borrow one of Richard Todd’s ‘Robin Hood’ costumes. She won the contest-of course!And afterwards rode her horse all the way to the Denham Studios. The security men on the gate were apparently pre-warned of her arrival!
Although it was over sixty years ago, she could vaguely remember meeting Walt Disney and described the Art Director, Carmen Dillon, as a formidable woman.  Richard Todd she said “was such a lovely, lovely, man.” He became a friend of the family and Elspeth had fond memories of Scottish dancing with him during the making of the later movie, Rob Roy.  Her father, she explained, loved making those live-action Disney movies.
James Hayter (Friar Tuck) and Richard Todd (Robin Hood)

During the filming of the scene in which Robin Hood meets Friar Tuck (James Hayter), Richard Todd asked Elspeth to keep hold of Barron, his Great Dane. Unfortunately Baron was a great deal stronger than Elspeth and she was dragged by the huge dog downwards towards the river!

Nottingham Town Square

Elspeth could also remember being somewhere high up during the filming of a scene in ‘Nottingham Town Square.’ But she kept feeling something hitting her body and when she looked around, she realised it was Peter Finch (Sheriff of Nottingham) throwing pebbles at her!

Peter Finch as the Sheriff of Nottingham


I hope to be able to talk to Elspeth again very soon, and capture some more of her  wonderful memories of those golden days!

  

Film & Television Production at Burnham Beeches


Due to its beautiful woodland and close proximity to London (25 miles) and many film studios, (Shepperton, Bray and Pinewood) Burnham Beeches in Buckinghamshire, England, has been used for many movie and television projects down the years. It is characterised by a diverse mixture of ancient woodland, wood pasture, coppice, ponds and streams, grassland, mire and heath land. The sites most prominent features are the veteran Beech and Oak pollarded trees which provide a stable habitat for many rare and endangered deadwood species.

It covers an area of 220 hectares (540 acres) and is located close to Farnham Common, Burnham and Beaconsfield.


An ancient pollarded tree in 2009

Filming is tightly controlled due to recognition of the Beeches' international importance for wildlife, restricting filming to no more than 20 days per year and to certain times of year. Filming in environmentally sensitive areas has also been banned. The revenue from filming goes directly to fund the upkeep and management of the Beeches.

During my visit in April 2009 I was given a list of ‘all’ the filming that has taken place there since 1946 and too my horror one film in particular was omitted. Yes you guessed it, Walt Disney’s ‘Story of Robin Hood and his Merrie Men,’ which was filmed at a number of places in the area, including Mendelssohn’s Slope and Upper and Middle Pond in 1951.

So let’s try and put the record straight:


Harry Potter and the Deathly Hallows Film 2010: Daniel Radcliffe



The film crew and production team of Harry Potter at Burnham Beeches in 2009


Creation Film 2008: Paul Bettany, Jenifer Connelly


Made With Magic TV 2008: Jamie Oliver


Jonathan Creek Christmas Special TV 2008: Alan Davies


New Tricks Series 5 TV 2008: Amanda Redman, Dennis Waterman


Merlin TV 2008: Colin Morgan, Bradley James


Midsomer Murders TV 2008: John Nettles


Eden Lake Film 2007: Kelly Reilly, Michael Fassbender


Sense & Sensibility TV 2007: Mark Williams, David Morrissey


Harry Potter & the Order of the Phoenix Film 2006: Daniel Radcliffe, Evanna Lynch


Primeval TV 2006: Douglas Henshall, Hannah Spearitt


Waking the Dead TV 2006: Trevor Eve, Sue Johnson


New Tricks TV 2005: Amanda Redman, Dennis Waterman


I Could Never Be Your Woman Film 2005: Michelle Pfeiffer


Driving Lessons FILM 2005: Rupert Grint, Julie Waters


Waking the Dead TV 2005: Trevor Eve, Sue Johnston


King Arthur Film 2004: Clive Owen, Keira Knightley


Winter Solstice TV 2003: Jan Niklas, Geraldine Chaplin


In Deep TV 2002: Nick Berry, Stephen Tompkinson


Born and Bred TV 2002: Naomi Radcliffe, Jenna Russell


The Hole Film 2000: Thora Birch, Keira Knightley


Midsomer Murders TV 2000 John Nettles


The Worst Witch TV Una Stubbs


Alice in Wonderland TV 1998 Whoopi Goldberg, Christopher Lloyd


Family Affairs TV 1998 Ebony Thomas, Kazia Pelka


Plunkett & Macleane Film 1998 Robert Carlyle, Liv Tyler


Merlin TV 1997/8 Sam Neil, Martin Short


Tess of the D’Urbervilles TV 1997 Justin Waddell


Bedroom 7 Hallways Film 1997 Kevin McKidd, Simon Callow


Kavanagh QC TV 1997 John Thaw


Spiceworld Film 1997 The Spice Girls, Richard E Grant


Bright Hair TV 1997 Emilia Fox, John Bowe


Bliss TV 1996 Simon Shepherd


Touching Evil TV 1997 Robson Green


Wilderness TV 1996 Amanda Ooms, Michael Kitchen


Ivanhoe TV 1996 Steve Waddington, Nick Brimble


The Wind in the Willows Film 1996 Steve Coogan, Eric Idle


The Hollow Reed Film 1995 Joely Richardson


Roald Dahl’s Red Riding Hood TV 1995 July Walters, Danny Devito


Guliver’s Travels TV 1995 Ted Danson, Mary Steenburgen


Soldier Soldier TV1994/5 Robson Green, Jerome Flynn


Martin Chuzzlewit TV 1994 Julia Sawalha


First Knight Film 1994 Richard Gere, Julia Ormond


Circle of Friends Film 1994 Minnie Driver, Chris O’Donnell


Between The Lines TV 1993 Neil Pearson, Siobhan Redman


The Crying Game Film 1992 Stephen Rea, Jaye Davidson


King Ralph Film 1991 Peter O’ Toole, John Goodman


Kevin Costner in Robin Hood : Prince of Thieves
The movie was filmed all over Burnham Beeches



Robin Hood: Prince of Thieves Film 1990 Kevin Costner, Morgan Freeman


Minder-Xmas Special TV 1988 Denis Waterman, George Cole


The Princess Bride Film 1987 Cary Elwes, Robin Wright Penn


Slipstream Film 1987 Mark Hamill, Robin Coltrane


Lair of the White Worm Film 1987 Hugh Grant, Amanda Donohoe


Mr Corbett’s Ghost TV 1987 Burgess Meredith, Mel Smith


Company of Wolves Film 1982/3 Angela Lansbury


Who Dares Wins Film 1982 Lewis Collins


Hawk the Slayer Film 1981/2 Jack Palance


Time Bandits Film 1981 John Cleese, Bernard Bresslaw


John Cleese as Robin Hood in Time Bandits


Agatha Film 1979 Dustin Hoffman, Vanessa Redgrave


Dick Turpin TV 1978 Richard O’Sullivan


The Professionals TV 1977 Lewis Collins, Martin Shaw


Carry On England Film 1976 Sid James, Kenneth Williams


The New Avengers TV 1976 Patrick Macknee, Joanna Lumley


Carry On Behind Film 1975 Sid James, Kenneth Williams


Frankenstein: The True Story Film 1973 Ralph Richardson, Jane Seymour


Bless This House Film 1972 Sid James, Diana Coupland


The Benny Hill Show TV 1971 Benny Hill


The Persuaders TV 1971 Roger Moore, Tony Curtis


Carry On Camping Film 1969 Sid James Kenneth Williams


Randall & Hopkirk-Deceased TV 1969 Mike Pratt, Kenneth Cope


Manhunt TV 1969 Cyd Hayman


The Siege of the Saxons Film 1963


Z Cars TV 1962 Colin Welland


The Loneliness of the Long Distance Runner Film 1962 Michael Redgrave, Tom Courtenay


The Avengers TV 1961 Patrick Macknee, Diana Rigg


Dangerman TV 1960 Patrick McGoohan


(VARIOUS) Hammer Horror films FILM 1960’s -70’s


Goldfinger Film 1960 Sean Connery


A Town Called Alice Film 1956 Peter Finch, Virginia Mc Kenna


Lost Film 1955 Thora Hird

Men of Sherwood Forest Film 1954 Don Taylor, Reginald Beckwith

Perce Pearce the producer of Walt Disney's Story of Robin Hood
with Art Director Carmen Dillon and 2nd Unit Direcor Alex Bryce at Burnham Beeches



Walt Disney’s Story of Robin Hood and his Merrie Men Film 1952 Richard Todd, Joan Rice


London Belongs To Me FILM 1948: Richard Attenborough


Great Expectations FILM 1946 John Mills

If you know of any other TV of film productions not listed that used Burnham Beeches as a location, please get in touch.

Elspeth Gill

We have made some amazing discoveries on this site over the last four years and this is certainly one of the best. Neil has recently managed to contact the daughter of Alex Bryce (1905-1961), the Second Unit Director on Walt Disney’s Story of Robin Hood (1952). Elspeth Gill has very kindly sent Neil some unique photographs of her visit on set during the making of Disney’s live-action motion picture at Burnham Beeches in Buckinghamshire.



Elspeth’s father was in charge of the Second Unit, which specialised in all the action shots and fight scenes of this wonderful Disney movie. These included the ambush of the royal coach, the rescue of Scathelok in the market square and Robin’s various battles with the Sheriff. She was about sixteen years old at the time and remembers the filming very well.
In Elspeth’s first photograph we can see Richard Todd (Robin Hood), behind the scenes giving her archery lessons and in the second, she is in full costume and riding one of the horses.
I would like to thank Elspeth for sharing with us these wonderful photographs and Neil for sending them to me. Perhaps she can share some more of her magical memories with us all in the future.




Alex Bryce and Richard Todd


Alex Bryce (1905-1960) was a Scottish screenwriter, cinematographer and film director. During the filming of Walt Disney’s Story of Robin Hood and his Merrie Men, Bryce was in charge of the ‘Second Unit’, which specialised in all the action shots and fight scenes. These included the ambush of the Royal Coach, the rescue of Scathelok in the market square and Robin’s various battles with the Sheriff. In the picture above (kindly sent in by Neil) we can see Alex Bryce and Richard Todd (Robin Hood) on location at Burnham Beeches in Buckinghamshire.

To read more about Alex Bryce and the filming of The Story of Robin Hood click here.

Tales Of The Riverbank


Neil has recently sent me another fascinating picture from the making of Walt Disney’s live-action film The Story of Robin Hood. This time an official still, showing the filming of the scene in which Robin Hood (Richard Todd) climbes up the riverbank to escape from the Sheriff and his men. Two arrows then thud dangerously into the ground around him (above).

As we can see (below) the arrows were actualy fired by two expert archers (James Hemmings and George Brown) brought in by the Second Unit Director, Alex Bryce; who can be seen sitting just below the camera.

For those few seconds of film, a ‘riverbank,’ was constructed out of wood and covered in artificial greenery, alongside the River Colne in the grounds of Denham Studios. Sitting in the chair, wearing the hat, overseeing it all, can be seen the producer of the movie, Perce Pearce.

Thanks Neil!