Showing posts with label Catherine-Grant-Bogle. Show all posts
Showing posts with label Catherine-Grant-Bogle. Show all posts

Catherine Grant-Bogle


Richard Todd and Catherine

Sorry I have not posted for a while. I have been moving house, which has proved very, very stressful! While I have been away, I have noticed several new comments regarding the later life of Catherine Grant-Bogle. So I have combined these with earlier messages.​

Little was known about Catherine's life after she was divorced from movie legend Richard Todd (1919-2009). So I am sure my readers will be very interested in some of the messages:


“I was looking up info on Richard Todd when I saw this article on Catherine Grant-Bogle. She was my landlady in 1970/71 in London, in a flat near the Tate Gallery.​​ I am Canadian and was backpacking through Europe with my girlfriend. She took me, my girlfriend and a girl from Hawaii in for room and board. The rooms were as the children left them and she didn't want us to touch or move anything. She also didn't want us using the kitchen and when she found the three of us making dinner, she was very upset.​​ She was very bitter about the divorce and told us stories. Her son Peter also came by a few times to check on her. I also have a picture of her with her cat in my photo album.​​I went back to London with my first husband in 1978 and went to show him the flat. And there she was walking down the street coming out of the liquor store, looking a little worse for wear.​​I am surprised to see that she lived another 20 years after I last saw her. She didn't look well and the difference in her from 1971 to 1978 was astounding!"​


Pam continued:​​ “She did seem so sad, not only when I was rooming at her flat, but especially when I saw her walking down the street a few years later. She was a sweet lady.​​Anyway, just thought I would share this with you.”​​Catherine was a cousin (first or second) of my paternal grandmother. She returned home to Rothesay in her later years. She lived with or was married to a German chap, and they had a couple of dogs. She did have a drink problem, from what I've heard. He outlived her by a few years. She used to drop into the Copper Kettle café which was run by another family member, my grandmother's niece Muriel."


Scott says:

​​​​​​"Hi all, this is fascinating stuff. My sister was married to Peter Todd for many years before he tragically took his own life. It's funny how I've stumbled across this blog as I was searching for Catherine as I'm in the process of selling my artefacts that I have had passed to me, all of which are related to Richard Todd and his film career. I'm sure I can answer many of your questions if you still have any and would be happy to do so. I have a portrait of Cathrine which is part of my collection passed to me by Richard and Peter Todd and she truly was a beautiful lady and from what I understand a fantastic mother. However, the Todds life was incredibly difficult for all involved and I saw personally the very sad end in which it finished. I'm here if you wish to discuss further. 

Best regards."


"Hi!​

Catherine returned to Rothesay, on Bute, in her later years and died there. She used to go to her cousin Muriel’s café, The Copper Kettle. I think that it’s true she had something of an alcohol problem latterly, but she lived with or was married to a German chap, and they had a couple of dogs. He outlived her by a few years. ​She was a first or second cousin of my grandmother, and my aunts were very excited as schoolgirls when she and Richard visited the family when filming Rob Roy in Argyll.​

Best wishes,​

Dr. Marianne M Gilchrist".


​​Many thanks to everyone who kindly contacted me regarding Catherine’s later life.

Richard Todd & Catherine Bogle




Neil has recently sent in this very rare theatre poster from about 1946. This was during the early stages of Richard Todd's (1919-2009) acting career and shows his future wife Catherine Bogle with top-billing. In his autobiography Caught In The Act (1986), Toddy describes Catherine and the play they were about to perform:
She was Catherine Bogle, a Scottish-born young actress, who had just arrived to start rehearsals next day for the forthcoming production, a light comedy called Claudia. Just nineteen years old, she had previously worked with the Dundee Repertory Company, but had been at home for nearly a year as the result of a nervous breakdown. Now recovered, but still not totally well, she had been invited by Mr Whatmore to play the leading part, Claudia, in Rose Franken's comedy.
Kitty, as I was always to call her, was ideally cast as the capricious child-wife in the story. She was tiny and quite beautifully formed, with long, natural blonde hair dressed in the page-boy style fashionable at that time and the most lovely, shy, green-blue eyes. She had delicate hands and tapered fingers, and her skin was a flawless and smooth as any china.



Catherine and Richard Todd

Here is an article on Richard Todd from 2011:

"Catherine Bogle was an excellent actress in her own right and she played opposite him in Claudia. Richard fell in love with her. But he did not want one of those theatrical marriages where the wife is touring all over the country in one company, while the husband is touring in yet another, and travelling in the opposite direction.

A life such as this was not for Richard-he wanted a home. He wanted to get himself established as an artist so that he had something substantial to offer the girl he loved, before he asked her to marry him.

In Dundee, Richard began to think the right part would never come along, when Robert Lennard telegraphed him to come to London for a screen test. Richard arrived in London, took the test, and was immediately accepted for the part.

The eagle eyes of the casting director for Associated British Pictures saw a prospective star in Richard, his undoubted acting ability, plus his good looks, convinced Lennard that young Todd would go a long way. After the successful test he offered him a contract-a good one-Richard gladly accepted.

Associated British Pictures felt that in their latest twenty-eight-year-old contract player, they had a suitable artist for the role of Herbert in their new film, For Them That Tresspass. The part was that of a young tough, bed in the drab surroundings of poverty who finds himself convicted of a murder he did not commit. Although he eventually leaves prison a free man, there is a bitter hate and revenge in his heart against the real criminal and those who sent him to prison.

Richard was tested for the part and got it-this was indeed his big chance. The first day on the set was a gruelling ordeal for the young actor. He knew that his whole career depended on how well he played the part and naturally, he was nervous.

However it was soon obvious to everyone on the set that Richard knew his job. He brought real acting ability and strength of personality to the screen and in his capable hands the character of Herbert came to life. He was a success.

At that time Richard was living at one of London’s Airborne Clubs. It was jolly there and at night he would sit talking to some of his ex-army pals, chatting about old times, or discussing his ambitions for the future.

Richard puffed away at his favourite pipe and told his colleagues that if he was ever lucky enough to make good at this acting business, it was his ambition to own a stud farm. Another dream was some day to build a small repertory theatre in London where new plays and promising young actors and actresses could delight the London theatre-goers.

Richard was full of high hopes and dreams, but at that time he had a long way to go. He had only mounted the first step of the ladder. Still, like all young men he found it exciting to plan ahead and to dream. Some day he might be a star-but those evenings, as he sat talking to his army friends, he little imagined how soon his dream of stardom would be realised.

Associated British executives were so impressed with Richard’s performance in For Them That Trespass that when an actor was sought for the key role of ‘Lachie’ in The Hasty Heart, they immediately and unanimously put forward their young protégée’s name for the test. He was under contract to Associated British Pictures for seven years; his salary was a good one, but not enormous. They expected big things of Richard and it was agreed that his salary would increase each year, but not even top men in the motion picture business expected their young contract artist to jump to stardom in his second film!

Vincent Sherman, the American director had come to England to direct the test for The Hasty Heart. He brought with him Patricia Neal and Ronald Reagan who were to star in the film. The part of ‘Lachie’ a dour and embittered young Scottish convalescent soldier, was not easy to cast, but when Richard’s test was screened, Vincent Sherman slapped his knee and cried “That’s my boy!” So young Todd got the part. The test was flown to Warner Brothers’ Burbank Studios and back came the reply: “Sign Todd. He’s terrific.”

The part of the shy, surly, soured and friendless young Scot, who is doomed to die in a Burma military hospital, was so beautifully played by Richard Todd that it sent him rocketing to stardom. He was a sensation on both sides of the Atlantic. For the American public, The Hasty Heart had two Hollywood stars, but it was Richard who made the audiences sit up. The blazing sincerity of his acting claimed their sympathy even when he was in his bitterest mood.


Richard Todd c.1951


He acted with his eyes, even when the rest of him was stonily still. His performance shook the top executives at Warner Brothers when the first rough cut of the film reached America. They could see that a great new British star had blazed into the celluloid sky, and it was clear from that one film that he was ready and able to hold his own with high-salaried, top-ranking stars from Hollywood.

As for Richard, he knew before the film was finished that he was doing a good job. He thought, when the picture was released, that it would be successful, but it never occurred to him that HE would be a sensation. When The Hasty Heart was finished, he had one day’s rest, and then started to play opposite Valerie Hobson in The Cord, at Riverside Studios.

Before the film was finished, director Alfred Hitchcock, who had see rushes of his previous films, offered him the leading part in Stage Fright.

Richard was extremely thrilled to be working for that great director and Stage Fright gave him the opportunity of sharing honours with such international stars as Jane Wyman, Marlene Dietrich and Michael Wilding. The film was to be made at Elstree Studios and the part of ‘Jonathan’ greatly appealed to Richard.

Considering that he had been less than fifteen months in the motion picture business, to be cast opposite such stars was really remarkable. He felt that now his success was fairly assured he could ask the girl he loved to marry him."


Richard and Catherine's wedding in 1949

On August 13th 1949 Richard took time off from filming to marry his twenty-two-year-old Kitty, the girl he met and loved and who loved him, when he was just another repertory actor working for less than ten pounds a week with the Dundee Repertory Company."

Richard Todd describes his marriage in his autobiography:
"Kitty and I were married in the bombed-out ruins of St Columba's Church of Scotland in Pont Street, Belgravia. Although our new flat in Park Street, Mayfair, was ready for us, we had not yet of course, moved in, so my launching pad for my ceremony was still my shared flat in Belgravia."

Catherine (1927-1997) was the daughter of William Grant-Bogle a steel-brass founder. Richard and Catherine had two children, Peter Todd (1952-2005) and Fiona Margaret (b.1956). Fiona later married Hon. Rollo Hugh Clifford. 


Richard and Catherine Todd.

Peter Todd committed suicide in a car park in East Malling, Kent in 2005.

In 1960 Richard had a son, Jeremy, by the model Patricia Nelson. Catherine and Richard divorced ten years later in 1970. Richard then married Virgina Mailer (b.1941) in June of the same year. They had two children, Andrew and Seamus (1977-1997). 

Seamus Todd shot himself in the head in 1997.

I received an email from Pam a few years ago about the mysterious later years of Catherine Grant-Bogle. Up until now, very little was known about her life after she was divorced from movie legend Richard Todd. So I am sure my readers will be very interested in what Pam has to say:

“I was looking up info on Richard Todd when I saw this article on Catherine Grant-Bogle. She was my landlady in 1970/71 in London, in a flat near the Tate Gallery.


Catherine Todd  (formerly Bogle)

I am Canadian and was backpacking through Europe with my girlfriend. She took me, my girlfriend and a girl from Hawaii in for room and board. The rooms were as the children left them and she didn't want us to touch or move anything. She also didn't want us using the kitchen and when she found the three of us making dinner, she was very upset.

She was very bitter about the divorce and told us stories. Her son Peter also came by a few times to check on her. I also have a picture of her with her cat in my photo album.

I went back to London with my first husband in 1978 and went to show him the flat. And there she was walking down the street coming out of the liquor store, looking a little worse for wear.

I am surprised to see that she lived another 20 years after I last saw her. She didn't look well and the difference in her from 1971 to 1978 was astounding!”

Pam continued:

“She did seem so sad, not only when I was rooming at her flat, but especially when I saw her walking down the street a few years later. She was a sweet lady.

Anyway, just thought I would share this with you.”

I would like to thank Pam very much for this glimpse into the later years of Richard Todd’s first wife. Also a huge thank you to Neil for his regular in-put and continued support.

If anyone can add some more to this information, particularly on Catherine, or would like to comment on anything concerning the movie The Story of Robin Hood or its actors, please get in touch at disneysrobin@googlemail.com.




Richard Todd and Catherine Grant-Bogle


Richard Todd and Catherine Grant-Bogle on their wedding day

It is always a thrill to hear from readers who have information about the lives of the stars who appeared in 'The Story of Robin Hood.' Recently Scott Coleman got in contact about a post I did on Richard Todd's first wife, Catherine Grant-Bogle :
"Hi all, this is fascinating stuff. My sister was married to Peter Todd for many years before he tragically took his own life. It's funny how I've stumbled across this blog as I was searching for Catherine as I'm in the process of selling my artefacts that I have had passed to me, all of which are related to Richard Todd and his film career. I'm sure I can answer many of your questions if you still have any and would be happy to do so. I have a portrait of Cathrine which is part of my collection passed to me by Richard and Peter Todd and she truly was a beautiful lady and from what I understand a fantastic mother. However, the Todds life was incredibly difficult for all involved and I saw personally the very sad end in which it finished. I'm here is you wish to discuss further. Best regards Scott."
I have since contacted Scott and hope to hear from him again soon.

Richard and Catherine relaxing c.1950'

This message about Catherine Grant-Bogle was sent by Pam back in February 2011:
“I was looking up info on Richard Todd when I saw this article on Catherine Grant-Bogle. She was my landlady in 1970/71 in London, in a flat near the Tate Gallery.
I am Canadian and was backpacking through Europe with my girlfriend. She took me, my girlfriend and a girl from Hawaii in for room and board. The rooms were as the children left them and she didn't want us to touch or move anything. She also didn't want us using the kitchen and when she found the three of us making dinner, she was very upset.
She was very bitter about the divorce and told us stories. Her son Peter also came by a few times to check on her. I also have a picture of her with her cat in my photo album.
I went back to London with my first husband in 1978 and went to show him the flat. And there she was walking down the street coming out of the liquor store, looking a little worse for wear.
I am surprised to see that she lived another 20 years after I last saw her. She didn't look well and the difference in her from 1971 to 1978 was astounding!”
Pam continued:
“She did seem so sad, not only when I was rooming at her flat, but especially when I saw her walking down the street a few years later. She was a sweet lady.
Anyway, just thought I would share this with you.” 

                        The Todd's photographed in 1954                                    

This week Neil, our regular contributor, has been in touch with an interesting find:


Richard and Catherine's autographs.

Neil says:
"I have very recently acquired this item – which is a programme for a Festival Of Britain event on 17 June 1951 in Maidenhead – a River Procession and Garden Fete.
It is signed on the rear by Richard Todd the film actor - and his wife Catherine Todd - or Kitty as he called her.
The date of 17 June 1951 coincided with the time that Richard Todd was filming The Story of Robin Hood and His Merrie Men at Denham Film Studios for Walt Disney  - and even more specific it was at the time when the filming of the famous quarter staff fight on the bridge between Robin Hood and Little John was being done on that wonderful studio set designed by Carmen Dillon. The reason I know this is that in Richard Todd's Autobiography 'Caught in the Act' he says that on his Birthday which was 11 June, this scene was being filmed and it would have gone on for some days I expect. 
This is the first time I have seen his wife’s signature – she seemed to always stay in the background. I still maintain though that whilst married to he his career went well so she must have had a good business-like head on her – which he, as he admits, did not.


I remember my Dad going down to London at that time to see the Festival of Britain – think he went with the Prudential Assurance Co who he worked for at that time. This event at Maidenhead must have been a big one – inside this programme it states that on the launch was Cicely Courtneidge, Ronald Howard, The Mayor and Mayoress and Richard Todd." 

Richard Todd as Robin Hood and James Robertson-Justice as Little John

Many thanks to Neil for sending in this programme. It is not only a historical document in its own right, but also has a fascinating link to the filming of Walt Disney's 'Story of Robin Hood and his Merrie Men (1952).'

Many thanks to everyone who have been in contact.

If you have any memories you would like to share about Catherine Grant-Bogle or anyone else connected in some way to our favourite film, please leave a message below.                           

Information on Catherine Grant-Bogle

Richard Todd and Catherine-Grant-Bogle in 1954


It is always very rewarding for me to get some feedback from readers of my blog. So I was thrilled to receive an email from Pam this week about the mysterious later years of Catherine Grant-Bogle. Up until now, very little was known about her life after she was divorced from movie legend Richard Todd (1919-2009). So I am sure my readers will be very interested in what Pam has to say:

“I was looking up info on Richard Todd when I saw this article on Catherine Grant-Bogle. She was my landlady in 1970/71 in London, in a flat near the Tate Gallery.

I am Canadian and was backpacking through Europe with my girlfriend. She took me, my girlfriend and a girl from Hawaii in for room and board. The rooms were as the children left them and she didn't want us to touch or move anything. She also didn't want us using the kitchen and when she found the three of us making dinner, she was very upset.

She was very bitter about the divorce and told us stories. Her son Peter also came by a few times to check on her. I also have a picture of her with her cat in my photo album.

I went back to London with my first husband in 1978 and went to show him the flat. And there she was walking down the street coming out of the liquor store, looking a little worse for wear.

I am surprised to see that she lived another 20 years after I last saw her. She didn't look well and the difference in her from 1971 to 1978 was astounding!”

Pam continued:

“She did seem so sad, not only when I was rooming at her flat, but especially when I saw her walking down the street a few years later. She was a sweet lady.

Anyway, just thought I would share this with you.”

I would like to thank Pam very much for this glimpse into the later years of Richard Todd’s first wife. If anyone can add some more to this information, or would like to comment on anything concerning the movie or its actors please get in touch at disneysrobin@googlemail.com.

Catherine Grant-Bogle


Above is a rare picture sent in by Neil, of the actress Catherine-Grant Bogle, the first wife of Richard Todd (1919-2009). She married the star of Robin Hood, The Dambusters and The Longest Day on 13th September 1949. But sadly the couple divorced in 1970 and she passed away in 1997. What Catherine did after her divorce from Richard Todd remains a mystery, so if anyone can help with information on her later life, please get in touch at: disneysrobin@googlemail.com



For more information on Richard Todd please click here.

Richard Todd and Catherine Bogle

It was while spending eighteen months in the north at Dundee Repertory Theatre that Richard Todd met a lovely young girl in the company called Catherine Bogle. Richard had been to see Robert Lennard the Associated British Casting Director, and was advised to get all the stage experience he could-and Robert Lennard promised to send for him when a suitable part turned up. Richard’s thoughts immediately turned to the Dundee Repertory Theatre. Surely that was the best place to pick up the threads of his career. He took Lennard’s advice and went back to Dundee. He loved Scotland and the Scots loved Richard.

During that time he played a number of roles, including, oddly enough, ‘The Yank’ in the stage version of The Hasty Heart and David in Claudia. With every performance his work improved, but Richard was fired with a burning desire to do something more than repertory work. He wanted to be a success for more reasons than one.

Catherine Bogle was an excellent actress in her own right and she played opposite him in Claudia. Richard fell in love with her. But he did not want one of those theatrical marriages where the wife is touring all over the country in one company, while the husband is touring in yet another, and travelling in the opposite direction.

A life such as this was not for Richard-he wanted a home. He wanted to get himself established as an artist so that he had something substantial to offer the girl he loved, before he asked her to marry him.

In Dundee, Richard began to think the right part would never come along, when Robert Lennard telegraphed him to come to London for a screen test. Richard arrived in London, took the test, and was immediately accepted for the part.

The eagle eyes of the casting director for Associated British Pictures saw a prospective star in Richard, his undoubted acting ability, plus his good looks, convinced Lennard that young Todd would go a long way. After the successful test he offered him a contract-a good one-Richard gladly accepted.

Associated British Pictures felt that in their latest twenty-eight-year-old contract player, they had a suitable artist for the role of Herbert in their new film, For Them That Tresspass. The part was that of a young tough, bed in the drab surroundings of poverty who finds himself convicted of a murder he did not commit. Although he eventually leaves prison a free man, there is a bitter hate and revenge in his heart against the real criminal and those who sent him to prison.

Richard was tested for the part and got it-this was indeed his big chance. The first day on the set was a gruelling ordeal for the young actor. He knew that his whole career depended on how well he played the part and naturally, he was nervous.

However it was soon obvious to everyone on the set that Richard knew his job. He brought real acting ability and strength of personality to the screen and in his capable hands the character of Herbert came to life. He was a success.

At that time Richard was living at one of London’s Airborne Clubs. It was jolly there and at night he would sit talking to some of his ex-army pals, chatting about old times, or discussing his ambitions for the future.

Richard puffed away at his favourite pipe and told his colleagues that if he was ever lucky enough to make good at this acting business, it was his ambition to own a stud farm. Another dream was some day to build a small repertory theatre in London where new plays and promising young actors and actresses could delight the London theatre-goers.

Richard was full of high hopes and dreams, but at that time he had a long way to go. He had only mounted the first step of the ladder. Still, like all young men he found it exciting to plan ahead and to dream. Some day he might be a star-but those evenings, as he sat talking to his army friends, he little imagined how soon his dream of stardom would be realised.

Associated British executives were so impressed with Richard’s performance in For Them That Trespass that when an actor was sought for the key role of ‘Lachie’ in The Hasty Heart, they immediately and unanimously put forward their young protégée’s name for the test. He was under contract to Associated British Pictures for seven years; his salary was a good one, but not enormous. They expected big things of Richard and it was agreed that his salary would increase each year, but not even top men in the motion picture business expected their young contract artist to jump to stardom in his second film!

Vincent Sherman, the American director had come to England to direct the test for The Hasty Heart. He brought with him Patricia Neal and Ronald Reagan who were to star in the film. The part of ‘Lachie’ a dour and embittered young Scottish convalescent soldier, was not easy to cast, but when Richard’s test was screened, Vincent Sherman slapped his knee and cried “That’s my boy!” So young Todd got the part. The test was flown to Warner Brothers’ Burbank Studios and back came the reply: “Sign Todd. He’s terrific.”

The part of the shy, surly, soured and friendless young Scot, who is doomed to die in a Burma military hospital, was so beautifully played by Richard Todd that it sent him rocketing to stardom. He was a sensation on both sides of the Atlantic. For the American public, The Hasty Heart had two Hollywood stars, but it was Richard who made the audiences sit up. The blazing sincerity of his acting claimed their sympathy even when he was in his bitterest mood.

He acted with his eyes, even when the rest of him was stonily still. His performance shook the top executives at Warner Brothers when the first rough cut of the film reached America. They could see that a great new British star had blazed into the celluloid sky, and it was clear from that one film that he was ready and able to hold his own with high-salaried, top-ranking stars from Hollywood.

As for Richard, he knew before the film was finished that he was doing a good job. He thought, when the picture was released, that it would be successful, but it never occurred to him that HE would be a sensation. When The Hasty Heart was finished, he had one day’s rest, and then started to play opposite Valerie Hobson in The Cord, at Riverside Studios.

Before the film was finished, director Alfred Hitchcock, who had see rushes of his previous films, offered him the leading part in Stage Fright.

Richard was extremely thrilled to be working for that great director and Stage Fright gave him the opportunity of sharing honours with such international stars as Jane Wyman, Marlene Dietrich and Michael Wilding. The film was to be made at Elstree Studios and the part of ‘Jonathan’ greatly appealed to Richard.

Considering that he had been less than fifteen months in the motion picture business, to be cast opposite such stars was really remarkable. He felt that now his success was fairly assured he could ask the girl he loved to marry him.

On August 13th 1949 Richard took time off from filming to marry his twenty-two-year-old Kitty, the girl he met and loved and who loved him, when he was just another repertory actor working for less than ten pounds a week with the Dundee Repertory Company.


The Todds took a four-roomed flat in Park Street, Mayfair, London.


Click on the Label Richard Todd for more pictures and information.

Richard Todd in 1950


We have recently seen a picture of Joan Rice in 1950, so here is Richard Todd in that same year reading a script; could it be The Story of Robin Hood?
Sitting alongside him is his first wife Kitty (Catherine Bogle).


To read more about Richard Todd please click on the Label below.

Richard Todd and Catherine Grant-Bogle



This is a rare picture of Richard Todd and Catherine Grant-Bogle at their wedding reception at the Hyde Park Hotel in London on Saturday 13th August 1949.

Catherine and Richard were divorced in 1970 and it was reported in the Daily Mail that she had passed away in 1997. What Catherine did after her divorce from Richard Todd remains a mystery, so if anyone can help with information on her later life, please get in touch at disneysrobin@googlemail.com.


For more information on Richard Todd please click on the Richard Todd Label.